A Christian Library: Volume 15 (John Wesleys Christian Library)
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Bathsheba is a mysterious and enigmatic figure who appears in only seventy-six verses of the Bible and whose story is riddled with gaps. But this seemingly minor female character, who plays a critical role in King David's story, has survived through the ages, and her "afterlife" in the history of interpretation is rich and extensive.
Koenig traces Bathsheba's reception throughout history and in various genres, demonstrating how she has been characterized on the spectrum from helpless victim to unscrupulous seductress. Isn't This Bathsheba? I offer this different reading, first, because the text suggests it. But second, those other readings of Bathsheba are misogynistic, with harmful and even dangerous implications for the way women are viewed. Abraham with Gavrilyuk, Paul L.
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Koskela reflects on ecclesial reconciliation as a healing practice. With attention to both ecumenical and intra-ecclesial relationships, he examines the impetus toward and patterns of reconciliatory practice He suggests that, by approaching reconciliation in a posture of humility and attentiveness to its own canonical riches, the church has genuine hope of restoration and revitalization.
John Wesley's Concept of Faith | Christian Library
Christ, Creation, and the Cosmic Goal of Redemption. Johnson Leese discusses how the apostle Paul's writing on Christ's relationship to creation, read alongside the interpretations of Irenaeus of Lyon, provide a meaningful contribution to contemporary debates on the interrelationship between religion and nature. This collection of essays by colleagues, former students, and friends illustrates something of the breadth and depth of subjects that have engaged the life and thought of the Reverend Doctor John Westerdale Bowker. His clerical and academic appointments in Cambridge, Lancaster, London, and North America further illustrate the integrative nature of his spiritual and intellectual way of being and acting.
Soaring With St. Not a reference tool, this unique work is a teaching-learning guide to understanding the Fourth Gospel.
A Christian Library - John Wesley
The focus is on showing how rather than on telling. Thirty-five "Flight Paths," followed by leading questions and statements, help both faculty and students to see as well as read how the Evangelist plotted his itinerary: adopting, adapting, and arranging the texts both biblical and extra-biblical that constituted his horizon. Travels with St.
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Not a reference tool, this unique work is a teaching-learning guide to studying the earliest Gospel. The focus is on showing how rather than on telling what. SPU Library. Street Signs is an engaging missiological inquiry into the cultural and theological meaning of the city. Through the lens of Seattle's Rainier Valley, one of the most ethnically and socioeonomically diverse communities in the US, this work constructs an urban, missional, and contextual theology shaped by the local realities of urban neighborhoods but relevant to cities everywhere.
Focused on the themes of incarnation, confrontation, and imagination, Street Signs explores the contours of missional theology in urban contexts marked by physical density, social diversity, and economic disparity, utilizing creative research methods such as urban exegesis, cultural semiotics, and theology of the built environment. The New Testament came together, and comes to us, not as a randomly sorted set of individual books but as a definitely shaped and ordered whole.
This concise, theological introduction to the New Testament sheds light on the interpretive significance of the canon's structure and sequence and articulates how the final shape of the canon is formative for Christian discipleship. Providing an essential overview often missing from New Testament books and courses, this book will serve as an accessible supplement to any New Testament or Bible introduction textbook. This compact, one-semester introduction to the Bible prepares students to begin reading the biblical text as Christian Scripture, focusing on the meaning of Scripture for the church.
The editors and contributors—experienced teachers with expertise in different parts of the Bible—orient students to the whole of Scripture so that they may read the biblical text for themselves.
The book first explains what Christians believe about Scripture and gives a bird's-eye survey of the whole biblical story. Chapters then introduce the story, arrangement, style, and key ideas of each division of the Old and New Testament, helping readers see how the books of the Bible make a coherent whole. It is the only treatment of the Catholic Epistles that approaches these seven letters as an intentionally designed and theologically coherent canonical collection.
Many of us may already be aware of the need for reconciliation in our own backyards. We cannot ignore the plight of the people around us and as globalization continues its relentless march onward, we cannot turn a blind eye to the world at large either. We have to face the realities here at home and we must also embrace the stories of people all around the world.
A Credible Witness. What makes Methodist worship "Methodist" or "Wesleyan? This book considers these questions by bringing to light the work and significance of three Methodist liturgists who have until now received precious little scholarly focus: Thomas O. Summers , Nolan B. Harmon , and James F. White It can only be resolved in the living of the Christian life, where gratitude for undeserved mercies merge with a commitment to public service. We take it that our founder would approve, for he insisted that Methodism is the religion of the heart warmed by divine grace and employed in neighbor love.
It had been previously used in an old German hymn which John Wesley is not likely to have seen, and it is quoted in one of the Spiritual Songs of John Mason, which was certainly known to both brothers:. The passage is in Tertullian's treatise De Carne Christi. He is arguing against Marcion, whose contention was that the humiliation implied in the fact of the Incarnation was unworthy of God. Whatever is unworthy of God is of gain to me. The Son of God is born; we are not ashamed, because we ought to be ashamed.
And the Son of God died; it is perfectly credible, because it is absurd. And being buried He rose again; it is certain, because it is impossible. The hymn, however, merely quotes the famous phrase that is known to all the world. A passage in Tertullian's Apology c. It is curious that both these hymns which have the allusion to Tertullian's words should also contain a reference to one of Aesop's fables, the story of the wolf who complained that the stream of which he was drinking was disturbed by a lamb 43 farther down--a mere pretext for devouring the alleged disturber.
In John Austin's Offices partly republished in the Christian Library there is a hymn of which one verse runs But Charles Wesley's stanza is more than an echo of this: it carries the allusion to Jerome's language farther than Austin's lines do, to Surgite, mortui, venite ad judicum. John and the robber, told by Eusebius in the Ecclesiastical History iii.
It may be added that the story is told in Wesley's abridgement of Cave's Primitive Christianity in the Christian Library. When we reach Augustine we are on surer ground. The Wesleys evidently knew the Confessions well. It was one of the highly interesting list of books which had to be provided by the direction of an early Conference for the use of Wesley and the preachers at the three centers of London, Bristol, and Newcastle. Wesley once prepared for the press an edition of it in the original Latin, probably intended for the scholars of Kingswood School.
Secker, Bishop of Oxford. This great spiritual classic has left considerable traces in the hymns of both brothers. A passage in the first book recalls some of Charles Wesley's most impassioned lines.
Let me die that I die not that I may see Thy face! Eia, Domine, moriar ut te videam.
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Videam, ut hic moriar Solil. This became a favorite thought with the poet of Methodism, and inspired many stanzas such as:. And if there were any doubt about the connection between such lines as these and the words of the great African Father, it would be dispelled by the fact that another hymn which echoes the thought Here the phrase is evidently quoted from the Soliloquies.
Another reminiscence of the Confessions occurs in John Wesley's translation of Tersteegen's 47 great hymn, ' Thou hidden love of God, whose height. Here the allusion is John Wesley's own; there is nothing of it in Tersteegen's German, the last lines of which are Ich bin nicht stille, wie ich soll. There is a further reminiscence of Augustine in another of John Wesley's translations from the German. The lines A phrase in one verse of John Wesley's translation of Scheffler's Du unvergleichlich Gut has 48 been colored by the translator's remembrance of the same passage in Augustine.
This is an unmistakable allusion to the story told by Augustine in the Confessions iii. Monica besought the Bishop to see her son, and strive to bring him from the error of his ways. The Bishop replied that it was best to leave him alone, and pray for him. And there is at least one other of Augustine's wonderful phrases; in the Confessions that influenced the verse of Charles Wesley.
It is ruinous; do Thou repair it, i. This is reflected in the lines There are other passages in the Soliloquies which seem to have influenced the hymns.
Tu es medicus, tu lux, tu vita. It is difficult to read this without thinking that some remembrance of it was in Charles Wesley's mind when he wrote The thought seems to be reproduced in the lines Augustine's fine comment upon our Lord's first miracle In Joan. I is quoted in another hymn. But we do not wonder at the latter, because it happens every year: it has lost its marvellousness by its constant recurrence.
Charles Wesley wrote, in a hymn upon John :. This, it has been suggested, may be derived from a passage in Hudibras the Heroical Epistle --a strange source! But the notion really comes from Plotinus, and it is quite likely that Charles Wesley may have met with it there. The passage is in the fifth Ennead viii. There are two rather recondite allusions in a stanza of one of the hymns on the Passion:. Spenser's Shepherd's Calendar May , and Gloss. Pan o megas teqnhken. The other allusion is fainter.