Major Scales and Technical Exercises for Beginners (Low Octave Bass Clef)

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It is usually indicated by a comma-like symbol. A note lasting two times as long as a whole note a double whole note. It is usually indicated as:. The break can be of any length at the discretion of the conductor. A box-shaped percussion instrument originally from Peru, played by slapping the front or rear faces generally thin plywood with the hands, fingers, or sometimes various implements such as brushes, mallets, or sticks.

A compositional technique, based on the principle of strict imitation, in which an initial melody is imitated at a specified time interval by one or more parts, either at the same pitch or at some other pitch. The oldest known type of Canon is called a Round. Notice how the same melody is repeated on each line two bars after the previous entrance so that the parts are overlapping.

Grab some friends and try to sing or play through it! A symbol that is placed at the left-hand end of a staff, indicating the pitch of the notes written on it. There are many types of clefs, but the four most common are Treble, Bass, Alto, and Tenor.

Bass Arpeggios: 6 Exercises For Hand Strength and Dexterity

The Treble Clef and Bass Clef are the two most commonly used by all instrumentalists and vocalists. The relationship among the 12 tones of the chromatic scale, their corresponding key signatures, and the associated major and minor keys. Circle of Fifths progressions are considered to be harmonically very strong, in the sense that they pull our ears toward one chord being the tonic.

Learn more about the Circle of Fifths and how to use it. Cut Time Symbol. Beats are divided into three notes, as opposed to Simple Meter, where they are divided into two. A type of classical female singing voice whose vocal range is the lowest female voice type. In this particular phrase, you would expect the V7 Chord to resolve to I. Even for the most experienced directors, getting a choir to sing a diphthong in unison is a very tricky task! The fifth tone or degree of a diatonic scale or the triad build upon this degree. Notice the G Chord has an added 7th, which gives it an even stronger sound and desire to resolve to the tonic.

A directive to musicians to perform the indicated passage of a composition in a sorrowful, mournful or plaintive manner. A directive to play a specific passage twice as fast.

Tonic Triads

Often used in conjunction with common time changing to cut time. The variation in loudness between notes or phrases. The most commonly used dynamics are: pianissimo, piano, mezzo piano, mezzo forte, forte, and fortissimo. Referring to notes, intervals, or key signatures having the same pitch but written in different notation. Each group of two notes is an example of Enharmonic Notes. Although they look like different pitches, the accidentals raise or lower them to the be the same. A group of people who perform instrumental or vocal music, with the ensemble typically known by a distinct name.

Some music ensembles consist solely of instruments, such as the jazz quartet or the orchestra, while others consist solely of singers, such as choirs and a cappella groups. A short musical composition, typically for one instrument, designed as an exercise to improve the technique or demonstrate the skill of a player. The initial presentation of the thematic material of a musical composition, movement, or section. Music that is pleasing or puzzling to the eye, regardless of how it sounds to the ear.

In some cases, the music may make no sense to the ear but has a secret puzzle or message when visually analyzed. This music was most common in the Middle Ages and Renaissance periods. A collection of musical lead sheets mostly used in jazz intended to help a performer quickly learn and perform new songs. A grouping of instruments which produce sound in the same manner and are constructed in the same way but in different sizes such as the clarinet family, the saxophone family, the violin family and so on.

A directive to a musician to perform the indicated passage of a composition in a proud, haughty, or noble manner. A sudden dynamic change used in a musical score, to designate a section of music in which the music should be played loudly forte , then immediately softly piano. It is usually indicated by the following abbreviation:. A compositional technique characterized by the systematic imitation of a principal theme called the subject in simultaneously sounding melodic lines counterpoint.

A Major Scale Bass Clef

A musical note with a rhythmic value, but no discernible pitch when played. A monodic and rhythmically free liturgical chant of the Roman Catholic Church that developed mainly in Western and Central Europe during the 9th and 10th centuries. A Latin percussion instrument consisting of a gourd with grooves cut around its circumference and large holes in the bottom.

It is classified as a scraped idiophone. The performer holds the instrument with the holes in the bottom while scraping across the grooves with a stick in a rhythmic fashion. A Cuban dance from Havana later introduced to Spain. See: Cadence. A Half Cadence is any cadence ending on the V Chord.

Because it sounds incomplete or suspended, the half cadence is considered a weak cadence that calls for continuation. A percussion instrument, handbells come in various sizes each size sounding a separate pitch and are usually played in a set ranging in number from six to sixty. They are usually performed by a group of musicians, either each holding a bell in each hand, or lifting them from a table.

A minor scale that differs from a natural minor scale in that the seventh note is raised one semitone both ascending and descending. An early stringed keyboard instrument that produced tones by means of plucking strings with quills rather than by striking them with hammers, as in the modern piano.

The range of the harpsichord is generally about four octaves; it was most popular in the Renaissance and Baroque eras, in the classical era it was eclipsed by the piano.

StudyBass Bass Lesson Index

Nebenstimme German for secondary voice or Seitensatz is the secondary part a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the Hauptstimme. A rare type of high tenor voice, predominant in French Baroque and Classical opera until the latter part of the eighteenth century.

In range, it is equivalent to the alto and was normally written in the alto clef. In music, Hemiola is the ratio In pitch, Hemiola refers to the difference between two strings that create the interval of a perfect fifth. In rhythm, Hemiola refers to three beats of equal value in the time normally occupied by two beats. A technique used in medieval music in which two or three voice parts are given notes or short phrases in rapid alternation, producing an erratic, hiccuping effect. The notes from each part make up the overall melody, though they are not sung at the same time.

A directive to a musician to perform the indicated passage of a composition in a pressing or chasing manner.

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The difference between two pitches. The rearrangement of notes in a triad or seventh chord so that different scale degrees are in the lowest position of the chord. See: Seventh Chord. A lively, improvisational, athletic style of dancing performed to syncopated music which originated in New York in the s and s. German for tone-color melody, it is a musical technique that involves splitting a musical line or melody between several instruments, rather than assigning it to just one instrument, thereby adding color and texture to the melodic line. Listen to the first minute of the piece to hear a demonstration.

Also referred to as subtonic, it is the seventh note of the scale where there is a strong desire to resolve on the tonic.

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See: Scale Degrees. The short, horizontal lines added to the top or the bottom of a staff for the indication of notes too high or too low to be represented on the staff. In a smooth, flowing manner, without breaks between notes. Standard notation indicates legato either with the word legato or by a slur a curved line under notes that form one legato group.

See: Motif.

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A short, constantly recurring musical phrase associated with a particular person, place, or idea. The text on an extended musical work such as an opera, operetta, masque, oratorio, cantata, or musical. Lieder in the plural is used more specifically to indicate songs in the great German tradition of songwriting exemplified by the work of Schubert, Schumann, Brahms, Hugo Wolf, Richard Strauss, and others.

During this time period, it would have been extremely rare to find an Opera ending in tragedy. An instrument popular in the Medieval and Renaissance eras. The lute is a plucked string instrument of the guitar family, it has a short, fretted neck, a rounded back, and a large body something between oval and pear-shaped. The mode represented by the natural diatonic scale F—F containing an augmented 4th. It can also be thought of as a major scale with a raised 4th scale degree. A vocal music form that flourished in the Renaissance.

Generally written for four to six voices, madrigals are usually set to short love poems.